RESEARCH | TEACHING

Main Research Interests
 

• Art and the moving image
• Experimental film and expanded cinema
• Sound (especially in the areas of experimental cinema)
• Feminist film and media
• Media archaeology
• Plant and film studies

Gabriele Jutz’s first monograph, Geschichte im Kino. Eine Semiohistorie des französischen Films: Rohmer, Resnais, Godard, Allio (Münster: Nodus, 1991) was based on her PhD research on film and historiography. After completing this work, she began exploring experimental cinema. She is co-editor, with Peter Tscherkassky, of Peter Kubelka (Vienna: PVS, 1995). Her book Cinéma brut. Eine alternative Genealogie der Filmavantgarde (Vienna, New York: Springer, 2010) discusses cameraless experimental film practices. From 2016 to 2019, she was a key member of the research project RESET THE APPARATUS! A Survey of the Photographic and the Filmic in Contemporary Art, which focused on “obsolete” media and technologies in contemporary art practices. She is the co-editor of the eponymous book (Berlin and Boston: Walter de Gruyter, 2019), alongside Edgar Lissel and Nina Jukić. The same year, she published Animating Truth(s). The Films of Maria Lassnig and Their Context (Vienna: University of Applied Arts Vienna, 2019).

Teaching
 

Gabriele Jutz primarily teaches art and the moving image, experimental/expanded cinema, and sound studies. She has supervised PhDs on various topics, including: found footage film; experimental film, and alternative screens; film and porn studies; surveillance art; home movies; Mexican documentary film; obsolete media in contemporary popular culture; the inner perspectives of technical objects; experimental cinema and space; (eco)trauma in experimental documentaries; eco-countervisuality and decolonial cinema, among others.

Please get in touch if you are interested in talks, lectures, workshops, and more.